Thursday 18 June 2009

Let Me Offer You Some Further Tips On Glass Painting!

By Anna Meenaghan

In my previous article I mentioned that you could apply glass paint with a sponge, which really is a good way of probably covering, say, a large area. Not only this, but it would enable you to merge in colours whilst they are still wet, in fact. Furthermore, if you do this, you will, as soon as this is dry, be able to rework it with the sponge with another colour.

Hence how about using a glass gel? Glass gel you can obtain in your local art suppliers. This gel is now obtainable in tubes. How do you apply this? The best method is by way of a spatula! If you do this you will find out that it gives you a textured surface, but will as well offer relief effects.

All in all there are three types of gel colours, you have semi opaque, which are opaline, glittery are iridescent, and transparent which are crystalline. The fine thing on the subject of these is that you can mingle all the colours and ranges together, plus the outliners, copying the Tiffany type of glass really.

Consequently if you utilize the gel, and in fact use a sponge to apply it, this willbring about a more even type of thinner coat. You can then build more layers onto this. A great advantage you get when working with the gel is that it has a water base, so any utensils you utilize can be washed and cleaned quite straightforwardly with soap and water.

You will as well see that it will no longer be all sticky after more or less half an hour also most likely it will be absolutely dry in going on for a week. In fact, you might say, that generally speaking, the gel is rather slow to dry.

On the other hand, because of this self-same fact, it does present you the choice of being able to supplement different things into the gel itself to compliment your handiwork. As a result you may say what for example? Let us experiment with, just for starters, sequins, shapes in acetate, glass nuggets or even a small amount of sea shells. It is to a certain extent possible to attach your objects with one of your glass outliners.

Now all this sounds quite straightforward but, if I want to transfer my design to the glass, what is the best method to do this? I have to say that it is to a large extent easier to work on a level surface, particularly if you would like to paint, for instance, a window. I would endeavour to try and rest it on a surface horizontally. But if you were working on a sheet of acetate, or even a clip frame, you may well copy your pattern straight through.

More tricky perhaps is trying to remove a design on to an article which is curled. In this state of affairs you would need to make use of some carbon paper and so therefore tape your paper to the glass. Carry on then by taping your design on top of this. After that you can just draw on your pattern with a biro to transport your outline on to the glass.

Similar to most forms of art, ranging from abstract paintings all the way through to canvas art, it is worthwhile to varnish it in order to look after it. Varnish for glass is sold either in a matt or gloss finish. Matt varnish leaves like a frosted glass look to it. If you utilize the gloss varnish you can also produce paler shades by also using it to thin your paint, although it will not change the depth of colour or transparency.

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